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The exploitation of these \u003c\/span\u003e\u003cspan\u003eemotions becomes more evident when we observe shifts in font \u003c\/span\u003e\u003cspan\u003echoices on the swimmers’ official shirts: when aligning with Russia, the \u003c\/span\u003e\u003cspan\u003efonts are more traditional and Orthodox; but when purchasing fighter \u003c\/span\u003e\u003cspan\u003ejets from France, the fonts change to a more modern, sans-serif style. \u003c\/span\u003e\u003cspan\u003eThese subtle shifts highlight the deep connection between geopolitics \u003c\/span\u003e\u003cspan\u003eand national identity, showing how emotions—once deeply \u003c\/span\u003e\u003cspan\u003epersonal—are now entwined with political agendas, manipulated as \u003c\/span\u003e\u003cspan\u003etools for ideological purposes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Galerie Newman","offers":[{"title":"Default Title","offer_id":53149220667724,"sku":null,"price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0943\/8842\/0940\/files\/Heritage_Towels_8.png?v=1755612436"},{"product_id":"marko-stojanovic-epiphany-towel-3","title":"Marko Stojanović \/ Epiphany Towel","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e70 x 140 cm\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eSublimation print on a towel\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e(In)tangible Cultural Heritage explores the evolution of a traditional \u003c\/span\u003e\u003cspan\u003ereligious ceremony in Serbia into a politically charged spectacle—an \u003c\/span\u003e\u003cspan\u003eelaborate performance infused with church uniforms, military insignia, \u003c\/span\u003e\u003cspan\u003epyrotechnics, and drones, all conspiring to stir emotions among an \u003c\/span\u003e\u003cspan\u003eimpoverished population. \u003c\/span\u003e\u003cspan\u003eOn the day of Christ’s baptism, hundreds of semi-naked men, led by \u003c\/span\u003e\u003cspan\u003epolice officers and priests, gather on the Epiphany plateau along the \u003c\/span\u003e\u003cspan\u003eDanube. During the ceremony, participants kneel and swear an oath to \u003c\/span\u003e\u003cspan\u003edefend their faith, their country, and its recently lost territories. Over \u003c\/span\u003e\u003cspan\u003e500 men then leap into the icy waters of the Danube, swimming 33 \u003c\/span\u003e\u003cspan\u003emeters—practically in the muddy waters they themselves have \u003c\/span\u003e\u003cspan\u003ecreated. \u003c\/span\u003e\u003cspan\u003eThe photographs were taken annually on January 19, from 2019 to \u003c\/span\u003e\u003cspan\u003e2025, at various locations near the confluence of the Sava and Danube \u003c\/span\u003e\u003cspan\u003erivers. Printed on large, soft cotton towels, the images evoke the \u003c\/span\u003e\u003cspan\u003ewarmth and nostalgia of summer holidays, providing a stark contrast to \u003c\/span\u003e\u003cspan\u003ethe severity of the swimmers’ ritual. 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